Thursday, April 05, 2018

The Fall of Delta Green - Play Test and Impressions


I ran "Operation: Aladdin's Cave," a play test of The Fall of DELTA GREEN in March 2017. I was under blackout rules and couldn't talk about it until pre-orders were available. This is a review of the play test materials, not the final published book.

I found this a great translation of the Delta Green (DG) rules to GUMSHOE. All the new rules in DG showed up in The Fall of DELTA GREEN: Bonds, Lethality, Adapting to Trauma, Automatic Weapons, etc.

What's new for GUMSHOE?
  • Rules for generating characters belonging to the military and intelligence services during the Vietnam Era. Also templates for other professions such as an Activist (protester).
  • New Modern Skills such as Criminology, Military Science, HUMINT, Data Retrieval, Fringe Science, SIGINT, Traffic Analysis.
  • Lots of new combat rules and options: Critical Hits, Called Shots, Disarming, Evasion, Sniping, Suppressive Fire, Autofire, Walking Fire, Shot Dry, Weapon Jams, Heavy Weapons (such as grenades, mines, mortars, bombs, missiles). These new rules add needed flavor to the generally dry GUMSHOE combat rules.
  • Rules for Drugs and Addiction. I mean, what's the Vietnam War without drugs and alcohol?
  • Chase Rules including Multiple Pursuers, Ramming, Attacks During Chases, using Investigative Abilities during the chase.
I loved the combat options and how Lethality was implemented.

The play test didn't have pictures or any setting material on Vietnam, so I can't comment on those things, but I do hope they'll add setting and background material for the Vietnam War. Otherwise, you'll have to watch Apocalypse Now, Full Metal Jacket, Platoon, Good Morning Vietnam, The Deer Hunter, We Were Soldiers, Hamburger Hill.

The play testers went through "Operation: Alladin's Cave" pretty quickly and enjoyed it. It was a good introduction to the game.

Overall, I found this a good solid book and highly recommend it.

Saturday, March 10, 2018

EndGame 3d6 RPG Con 2018

Saturday March 4, 11am-5pm (6 hours)
Scenario Title: League of Extraordinary Gentlemen: 1970's
GM: Todd Evans
System: Savage Worlds
Setting: Hazzard County
Character Level: Heroic-Legendary
Characters: Provided (The Bandit, Daisy Duke, Elvis Presley & the Memphis Mafia, Philo Beddoe and his orangutan Clyde, Foxy Brown, Evel Knievel, and Kolchakthe Nightstalker)
Number of Players: 7
Description: The Southern Division of the League of Extraordinary Gentlemen are sent out on an urgent mission to deliver the powerful telekinetic Carrie White to a supernatural prison before she wakes up from her magical slumber. Devil-worshiping Boss Hogg is set out to grab her from the League’s convoy and deliver her to his master Satan as another weapon in his unholy army. Can the Southern Division of League of Extraordinary Gentlemen transport the girl in time or will the Devil win the day?
Rules/Setting Downloads: https://tevansdesign.com/league-of-extraordinary-gentlemen-1970s-edition/
Character Sheet on a 8-track tape.
This game had the most amazing props imaginable and it also hit my nostalgic childhood sweet spot. My only issue is that it used Savage Worlds and it was a mini-heavy, combat-heavy game, so the four combats took up most of the game and there was less time for role playing. Also with such long combats, I ran out of cool moves to make. You can only do so many cool things in combat. I think the game might have been better using Spirit of 77 RPG instead.

The scenes were interesting, the GM did a great job, did great NPC voices, the props were top notch. I mean, who would make a character sheet out of 8-track tapes?

Overall, I had a fun time.

Thursday, January 04, 2018

Morgan's Dead of Winter 2017 Adventures


Another interesting Dead of Winter with some old faces and some new. This time I'm going to talk about GM choices and how that affects a game.

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Saturday, 11am - 5pm
Game System: Bedlam Hall
Scenario Title: ‘Twas a Very Dreary Christmas
GM: William Lee
Variations: N/A
Power Level: Rather Low
Number of Players: 6 (Alicia H, Arthur W, Colin F,  Laurel H, Lis H, Morgan H)
Characters Provided: Yes
Description:
Ah, Christmas, that most magical time of the year. By magical, I mean, of course, the alignment of the stars in the Winter Solstice sky makes the walls between dimensions, uh, a bit porous. Eldritch energies and inconceivable horrors from beyond can easily toddle on over to our world for a cup of tea. (They may even stay for supper…) 
This is certainly true here at Bedlam Hall. As the holiday nears, the Blackwood family becomes wrapped up (even smothered) in the spirit of Christmas. Lord Blackwood wants to try his hand a summoning Yog-Sothoth, again, despite the unfortunate incident with Aunt Agatha last year. Lady Blackwood begins a regimen of bathing in blood to look her best for visiting friends and family. And young Matilda, well, she seems to have broken out of the dungeon again! How festive! 
And you, my lucky friends, are the hapless servant staff of the Blackwood Family, tasked with maintaining a semblance of order within the House while vying for prestige and privilege among yourselves. Jolly good fun, isn’t it?

This was an interesting game. I played in a similar game set in Downton Abbey in DoW 2013, run by Gil, so I had a data point to compare games with. The Bedlam Hall game engine is Powered by the Apocalypse. The issue I ran into was that when a character gets a partial success or failure, there's a menu item to choose advantages and disadvantages from. The menu is supposed to add to the storytelling, but game designers forget and put various +1/-1 to the menu item, so instead of helping with storytelling, there's a bit of analysis paralysis when confronted with meta-choices such as +1 Prestige to you, -1 Prestige to target, +1 advantage to you, -1 disadvantage to target, etc.. So, what happens is that you decide to make a move on a PC, then you roll, then you have to pick something from the menu and figure out what that means story-wise. During this time, the whole games comes to a screeching halt. Then the next PC or NPC does a move, and you rinse and repeat. It makes the game feel like a car with an engine that's about to stall. It lurches forward to a stop, lurches forward, stops, etc..

The game is setup so that each servant was given a different task to complete, so my issue was that each player got 5 mins of screen time as we round robin-ed through the PCs. So, in the first third of the game, we were all separate. Later, we started to get together, but we never got more than 3 PCs together at the same time. This led to a lot of down time for the players. The GM did a great job playing all the NPCs, so he got a lot of screen time, but not the players. In Gil's game, the PCs started all together and a major event happened as we all watched, so we all got involved early. I think that worked much better.

Lesson to be learned: get all the PCs involved early on and don't give different tasks to every PC, best to have a common goal at the beginning.




Saturday, 7pm - 1am
Scenario Title: Three Nights of the Magdalene
Game System: Call of Cthulhu 7th ed.
GM: Josh Clark & John Castillo
Variations: Slight alterations to 7th ed.
Power Level: Terrified Schoolgirls
Number of Players: 6 (Andrew W, Bryanna H, Dovi A, Jack Y, Morgan H, Shannon M)
Characters Provided: Yes
Description: It’s a hard-knock life for the girls at the Magdalene Laundry.

Josh and John spent two years building out this game and it showed. The game is based on real life Magdalene Laundries which weren't shutdown until 1996.

This was a great game. And everyone got their Irish accent on. The role playing was excellent which added a great realism to the game.

Lesson learned: Fully bake your game before running it. Half-baked games aren't as good.




Sunday, 11am - 5pm
Scenario Title: Family Feud
Game System: Kult: Divinity Lost
GM: Colin Fahrion
Variations: N/A
Power Level: Family Members with a Dark Secret
Number of Players: 6 (Alicia H, Laurel H, Matt G, Matt R, Matt S, Morgan H)
Characters Provided: Yes
Description:
“It’s time for the Family Feud! Introducing the Thurston Family and the Undercliffe Family! On your marks, let’s start the Family Feud! We have a special episode for you today as we hear that each of these two families have a dark secret! There’s no telling what will happen today folks!”

I heard great things about Kult and wanted to try it. Unfortunately, this was the newest version which switched to a new game engine, Powered by the Apocalypse. Again we ran into the same problems as Bedlam Hall, but less so, because there were less choices, but it still happened. I'm beginning to dislike the Apocalypse World system.

Colin did a great job of bringing to us Family Feud (other than a few tech hiccups). The PCs were interesting and special in their own special way.

My only issue was that we had split the party and one half was in a fight for their lives, whereas the other half were in a very boring elevator ride. And the GM intercut between the two groups, and the elevator people didn't get much screen time since there wasn't much to do in the elevator. I felt that was a bad GM choice. Either there should have been no intercutting or we should have had something to do in the elevator.

Lesson learned: Intercutting between an action scene and a non-action scene works in a movie, but probably not too well in a RPG. The main criteria is to keep the players from being bored and to give them equal screen time.




Sunday, 7pm - 1am
Scenario Title: Deep Sleep of Dread
Game System: Call of Cthulhu 7th ed.
GM: Dave Sokolowski
Variations: None
Power Level: Modern
Number of Players: 6 (Aaron T, Anthony B, Leon G, Matt S, Morgan H)
Characters Provided: Yes
Description:
Washington DC – Today. Congresswoman Denise Grey (D-NY) has fallen into a coma just three days before her speech to the UN on human rights. From this coma she continues to perspire saltwater, which covers her body, soaks the bedsheets and fills her lungs. At this rate, the doctors say she’ll be dead in less than a week, but missing the speech will also be a serious blow to the oppressed people she has promised to represent. She has many enemies and time is short. 
You are a member of the Advocacy — a team of supernatural fixers, soldiers and researchers who work discretely to solve problems in and around the home of the world’s largest bureaucracies. You have the best technology and resources in the world at your hand, which is important because your adversaries don’t play by the rules and often don’t even come from this world.

Dave told us at the beginning that this was a playtest for his scenario and it was supposed to fit in a 4 hour time slot. Matt S. immediately reminded Dave that we had a 6 hour time slot. Dave then told us that there's an hour of background material and PC info to go over, and a wrap up after the game session, so it'll take the 6 hours. I think we did take something like 5 hours for the scenario.

It didn't help that this was the last game session and an hour of background material didn't help me stay awake.

The Advocacy which is the group our PCs belonged to was mainly a modern Delta Green-like group, private instead of governmental and given various rules that makes it a more gentler and nicer Delta Green. One of the rules was to be wary of magic and not to use it.

The investigation wound up very difficult to solve. At one point Dave asked if we wanted hints and we all said, "Yes."

Aaron did a great job as an occult practitioner. Oddly enough, if he didn't use magic, we probably would have never solved the mystery.

Lesson learned: Don't run a complicated investigation game on the last day / time slot of a gaming convention.

Saturday, November 25, 2017

Musings on Murder Hoboing


I got into a very interesting discussion on FaceBook about D&D and murder hobos.

First let me explain what I mean by murder hoboing. I don't mean you just murder people randomly and take their stuff. You are a murder hobo not because you murder hobos, you are a hobo who murders. You travel from town to town, village to village, murdering things for hire and taking their stuff (treasure and magic items). When you are done, you move to the next town. You have no home. Your sole purpose is to kill things. When a village sees adventurers arrive, they send you off to the nearest dangerous place, a dungeon full of orcs, a cave with a sleeping dragon, or whatever might be threat to the town because they know adventurers will destroy their town without entertainment and so point the way to adventure, hoping the murder hobos either get killed or eliminate the threat. A win-win situation. D&D when I played it in the 1970s was murder hoboing.

In the 1970s there were no boardgames other than S&T magazines with historical military wargame simulations, so we did random dungeon crawls which is now replaced with computer gaming like Dragon Age and boardgames like Gloomhaven and Kingdom Death: Monster (KDM). I rarely play video games anymore and after years of not playing them, I was convinced to play Dragon Age and I thoroughly enjoyed it and that has been the last video game I've played as of the writing of this blog post. But the game design behind all of these games is murder hoboing, tactical simulation of combat and getting stuff. It becomes a cycle of murder, taking stuff, leveling up, murder, taking stuff, murder more powerful opponents, etc. It just isn't very interesting to me. How these new boardgames keep your interest is by slowly revealing the world, the character abilities, magical items, and new monsters. They do this to keep it fresh otherwise, it'll be like mashing an attack button on a video game and you'll get bored, but underneath all of this is just a combat simulator.

Class abilities, spells, and items all lean toward combat and large area damage. Also increasing Hit Points (HPs - notice they call it Hit Points, not Health, emphasizing how many hits from a weapon you can take) as you level up makes surviving combat easier and easier, thus the escalating spiral of challenges of fighting meaner and meaner monsters.The system/ruleset focus is combat. When I was in my teens, a random dungeon encounter was all I wanted and what my friends wanted. My high school buddies used the Gods, Demigods, & Heroes book as a menu for collecting artifacts - by hunting down and killing Gods and taking their stuff. I built killer dungeons (closets of random overkill) and players brought 485th level Storm Giants, Blackhole blades, A Deck of Many Things with infinite queen of spades, etc. Very Monty Haul (a play on Monty Hall from Let's Make a Deal, where you look behind curtains and boxes to find prizes or Zoinks) and I handed out very ridiculous stuff too and took no mercy in murdering the hell out of any mistake they made. Those were good times and fun for what they were.

We never gave out Experience Points (XP) for Gold Pieces (GP) because we thought it was double-dipping because the more powerful monsters always had more gold and you used gold to buy equipment and magical scrolls, potions, weapons, and armor to better kill things. Daniel N, mentioned that they did award XP for GP, so there was an incentive to steal the dragon's treasure instead of trying to kill it. Now that he has brought this up, the possibility of just stealing the GP without combat and leveling up, a big Aha! lightbulb went off in my head - 40 years too late. We never realized that was an option. We'd rather double-dip, getting XP for slaying the dragon and taking the treasure. Thieves were useful for their trap disabling and backstabbing ability. Hiding in Shadows was for Backstabbing, not for just stealing treasure.

Murder hobos are generally not generic humans as most players pick something unique like a dwarf cleric, a half-orc barbarian, an elf mage, a hobbit assassin. So, the party is always a weird ragtag team of misfits.

In most worlds, murder hobos don't blend into the natural order of things. Rarely is there free travel and most natives, if it is an agricultural society, stay in their local area, so most communities are homogeneous villages (unless it's a big port city), so a ragtag band of misfits carrying weapons, wearing dented armor, 10' poles, large coils of 50' rope, lanterns, multiple flasks of oil, huge bedrolls, overstuffed backpacks, mules, etc, really stick out as outsiders. They're easily spotted as adventurers. See 13 dwarves, 1 hobbit, and wizard go to human village for a beer, hmm? Adventurers? See a dwarf, an elf, two human fighters, a mage, and a couple of hobbits go to an elven forest. Hmm? Adventurers? See a human with a cart of goods drawn by horses with a sign on the cart saying, "Tidwells Tinkerer and Snake Oil for your Ailments." Hmm. Merchant?

The motley crew of Player Characters (PCs) stick out like a sore thumb and if a town had a sheriff, they should be chased out of town instead of being revered like the Seven Samurai. They should immediately seen as murder hobos and trouble makers. And if the murder hobos didn't kill the sleeping dragon, it's going to wake up and set your village on fire. If the murder hobos didn't commit genocide by murdering every Orc in their underground cave complex and just murdered a few Orcs and stole their offerings (treasure) from their holy shrine (more treasure) and blasphemed their god by trampling over everything, a horde of angry Orcs will spew forth and wreak vengeance upon your poor human town (after the murder hobos have moved on, after a drunken celebration).

After 40 years, game development has evolved and dungeons are more organic and not random static closets full of monsters and treasure. KDM, though a boardgame and not a RPG, has embodied the newer philosophy of dungeon design where things are organic. You prepare for the big bad battle at the end throughout the year by making armor, weapons, and equipment from the parts of previously defeated creatures. You level up your village with skill trees. You have generational stories much like King Arthur Pendragon. Monster combat uses a card-based AI, so it's a GM-less game. Descriptive text give more of a unique storytelling favor to combat vs a generic, you take 3 HPs damage. So, RPGs have evolved and dungeons have become more realistic, but at the core, it's still murder hoboing.

Sunday, November 12, 2017

Morgan's AetherCon 2017 Adventures


Somehow, this blog post is about what happens when players don't show up and when players do show up.

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Camp Sunny
System: Call of Cthulhu 7th Ed
Date/Time: Nov 10, 11am
Duration: 5 hrs
GM: Todd Gardiner
Players: 4 (of 6)
You and your friends are taking an impromptu off-season vacation from college and booked a couple of cabins in the Great Lakes. This will be just the thing to combat the stress of coursework and relax! A few days in the wilds full of peace and fun. With college far behind, what's there to worry about? Set in Modern Day (1980's). Pre-gen characters provided. Camp Sunny is an official 2017 Chaosium Convention Scenario written by Paul Fricker with Mike Mason.
The PCs were interesting in that there was an interconnected web of relationships between all the PCs, but unfortunately, we only had 4 of 6 players, so 2 were left out, the 2 PCs that I had the most connections with. My character thought the other PCs were losers and I acted accordingly.

I thought this scenario was a bit odd. Even though at the end one PC got captured, one went insane, and two escaped, we had an inkling of what was going on, but not the whole picture. At the end, the GM told us what was going on and how the clues hooked into each other. I think there was no way to figure out the whole story.

The PC got captured because the player left the game and the GM forced events on the PC as leverage on the other PCs which is a valid technique to increase tension in the game.

I did enjoy the role playing, but the whole scenario left a bad impression on me, I would not run this scenario myself as I didn't find it that enjoyable.




Blythburgh, A Town of Darkness
System: White Wolf World of Darkness
Date/Time: Nov 11, 9am
Duration: 5 hrs
GM: Richard Chabrier
Players: 3 (of 6)
On a trip to the coast, six summer vacationing youth take a wrong turn and enter a small town where no one seems to be under the age of fifty. The oddity doesn't stop there as after stopping for gas and directions, the van won't start. Forced to stay until repairs can be done isn't too bad but the town just keeps getting creepier... This game is a survival horror. Players beware: This is not a loot or hack and slash adventure. Be prepared to role-play and solve problems. Stupid decisions and bad responses can/will get your character/team killed.
There's something to be said for designing a scenario that allows you to drop PCs when not enough players show up. In the previous game, Camp Sunny, PCs that weren't being played were dropped from the game which made GMing easier, but the experience for the PCs became weaker as relationships between PCs weren't being played out. In this game, the GM ran all of the PCs as NPCs and he did it expertly. And again there was a complex relationship web.

This was a good game, it's just a shame that we had only 3 players and the GM ran the other 3 PCs as NPCs. The other issue was that we used roll20 for dice rolls and it was cumbersome because you had to click on your attribute and skill before rolling and there were issues with clicking and scrolling, and scrolling, and clicking, and wrong things being selected, etc. It would have been easier to just roll a handful of d10s. The roll20 character sheets we used for rolling were very cumbersome and would have been better with just two dropdown boxes to select an attribute and a skill and a roll button. The clunkiness broke the flow of the game.

The 6 PCs were well fleshed out and interesting to play. Though the scenario wasn't that complex, the solution the PCs had to come up with was difficult and I enjoyed that.




Ladybug, Ladybug Fly Away Home
System: Call of Cthulhu 7th Ed
Date/Time: Nov 12, 6am
Duration: 5 hrs
GM: James Adley
Players: 5 (of 6)
"Police are searching for a young girl who was abducted from a local department store earlier this afternoon. Witnesses describe a 'horrific scene' at the store, reporting that one of the abductors apparently committed suicide inside the store instead of allowing the police to apprehend him. The mother attempted to fight off the attacker, receiving only minor injuries, but he was able to deliver the child to a waiting accomplice outside the store who made of with the child. The police have not yet released the name of the family or any information on the kidnapping, but we will keep you updated as the story progresses. Next up is the weather, after this commercial break." - WKYC Morning Broadcast, November 9, 2017 This will be a modern scenario using Call of Cthulhu 7th Edition. Imagine this like an episode of Criminal Minds. A small, elite team of investigators working for the FBI has been asked to help with to resolve a kidnapping. Feel free to roll up your own investigator, but please choose a career that would align with the scenario (field agent, psychologist, forensics expert, etc.
Sometimes when all the players show up, you wished maybe someone didn't. In this game one player said she had gamed two days straight without sleep and spoke a mile a minute and in a stream of consciousness, full of non-sequiturs, and odd asides to people in her physical room, but not in our virtual gaming room, and with no wish to mute her microphone. She also claimed she was signed up for another game after ours. Really? And that in one of her previous sessions, no one showed up. Hmmm. I wonder? Did they sneak off to some other room?

That said, this was a great game. Even afterwards, we didn't know if we did the right thing.

Sunday, October 29, 2017

Call of Cthulhu - Thoughts on Verbal Spell Casting / Rituals


How does a Call of Cthulhu ritual really work? If for instance an Investigator finds an old tome with a spell in it, how does he correctly pronounce the words? And if correct pronunciation is required for the spell to be correctly cast, how do you know the correct pronunciation? Trial and error?

For instance here's some varied readings of: "Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn."

So how in the heck would you know how to pronounce this if you just pick up a tome with this phrase? And if this book is written in Latin, Ancient Greek, Phoenician, or Aramaic, is the phrase written phonetically? Do you use that language's intonation?

If you're trying to summon Cthulhu, I assume calling him by the right name is important. Can you imagine calling some powerful godlike being by the wrong name? "Hello, I'm trying to reach Cat-hoo-loo, I mean, Ka-hu-hu, um, Khlûl'-hloo?" Can you imagine how pissed Cthulhu would be?

Does the creature just show up out of curiosity? Not because the ritual worked, but because there's a disturbance in the time-space continuum and he's curious or pissed off at being called the wrong name?

In one game, I thought it would be a cool to have a spell book written by the Serpent Men of Valusia, but the spell caster would have to have a bifurcated tongue in order to pronounce the spells properly. So, a cultist or Investigator would have to bifurcate their tongue in order to cast a spell from the book. Imagine if you had to do body modifications in order to cast spells.

But if correct pronunciation is required for casting spells, Investigators will never cast a spell successfully. And if saving the world hinges on the successful first cast of ritual, the Investigators will always fail. So, is intention only required? Is positive thinking only required? Positive thinking, mispronunciation, and a sacrifice of POW or Magic Points only needed? If mispronunciation is ok, then can a cultist just chant some nonsense or a sing pop song and it would work? Then why even write these unpronounceable words down in the spell book?

Anyway, some food for thought.

Wednesday, October 11, 2017

Morgan's VirtuaCon 17 Adventures


VirtuaCon is a free online convention. Amazingly, there's a lot of Cthulhu games being run over three days.

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10/6/2016, Friday 11am
Game Duration: 4 hours
Adventure: The Keepers of the Woods
Game: Trail of Cthulhu
Game Master: Freddie Foulds
Genre: Investigative Horror 
Brief: An unexpected letter invites members of the Miscellany Society from the safety of bustling London to the isolated village of Postbridge, Dartmoor. 
Experience: Some experience needed
Pre Gens: Pregenerated Characters Provided
Run on: Google Hangouts
Maturity: 18+ Only
Seats Available: 4 

Details
January 1935 - The arrival of a letter from your friend and fellow member of the Miscellany Society, Professor Margaret Blackwood, invites you out to shadowed Dartmoor. The Professor believes that she has discovered a career defining find, and something that is of great interest to the Society members - a group who actively worship an ancient god nestled in the heart of the secluded village of Postbridge...

This was a contest winning scenario run by the writer.  We had a good table of players and I really enjoyed this scenario. The game ended in a TPK.





10/7/2017, Sat 11am
Game Duration: 4 hours
Adventure: Dark Alley Deals
Game System: Yellow King RPG
Game Master: Jon Hook
Genre: Investigative Horror 
Brief: Paris, 1895, is the cultural center of the world. Artists are drawn to this city, like moths to the flame. As young students of the arts, you are having the time of your life. Of course, not everyone in Paris is as fortunate as you. The beggars and urchins fill the alleys and gutters, but they aren't so bad. But, ever since a strange play has become popular, some of the tramps seem to acting... odd. You're sure it's nothing, but still... you can't help but wonder who that dark stranger in the shadows at the back of the alley is. 
Experience: None Required (Rules Taught as needed)
Pre Gens: Pregenerated Characters Provided
Maturity: 18+ Only - due to mature and disturbing subject matter
Seats Available: 6 

Details:
Dark Alley Deals is a scenario written by Jon Hook for the soon-to-be published Yellow King RPG. This game uses the Gumshoe engine by Pelgrane Press.

I supported the KickStarter and I'm playing in a play test of Yellow King RPG (YKRPG), the next evolution of Trail of Cthulhu (ToC), a merger of ToC and the One-2-One system used in Cthulhu Confidential. (My review of Cthulhu Confidential)

So, I was curious as to how Jon Hook would run this new system.

I enjoyed the game, but the table seemed very crowded with 6 players. In the play test, we only had 3 players. One of the PC hooks is "I rely on" and "I seek to protect" where you pick another PC. The funny thing is that in both this game and in the play test, nobody has filled this out.

But "That Damn Peculiar Business," a PC hook into the scenario is a wonderful innovation and both this game and in the play test, we used it to great effect.

I found the shocks and injuries more interesting than the ToC lack luster combat system, but finding the cards (out of possibly 100s) and handing them out are still a bit fiddly and interrupts the flow of the game. If you PC has 3 shocks or 3 injuries, your character is either insane or dead.

For me the jury is still out on YKRPG. There are things I like and things that I don't.

In this game, we mainly ran into evidence of the Thin Man affecting human affairs. In the end, only one PC survived, one went insane, and the rest were lost in Carcosa.

I enjoyed this game, but found the table too crowded.

Monday, July 24, 2017

3d6 Con 2017 at EndGame

3d6 Con is EndGame's mini-con where 6 tables of various RPGs are being played. A single day where you can play in one game from 11am-6pm.

You must pick 3 games to play in, in order of preference and a shuffler will put you in one of your three choices.

I got into Jack Young's The Esoteric Order of Dagon vs. Innsmouth Longshoreman & Warehouse Union (Local 22).

I also wanted to try out Matt Steele's Numenera game, but all the games were run simultaneously, so you only get to play in one.

Jack gave us the warning that this game was supposed to be more humorous than dark, and it was. I had a lot of fun and the other players brought their brand of wild and crazy. There were a lot of fish jokes. This game was what Jack called One Roll Engine - Light, which I renamed to Light One Roll Engine (LORE). The game was very pulpy.





Sunday, June 18, 2017

Conan 2d20 at Free RPG Day 2017

I was curious about the the Conan RPG because I was actually actually more interested in the new Star Trek Adventures RPG and both games uses the 2d20 system.

I only had about 1-1/2 hours, so I watched part of the game and the GM let me decide what some NPCs did, which was cool.

I really liked the system. I noticed that the Conan Attributes were more combat oriented vs Star Trek's.
  • Conan: Agility, Awareness, Brawn, Coordination, Intelligence, Personality, Willpower. 
  • Star Trek: Bravery, Control, Empathy, Presence, Reason, Resilience.
The system uses d20s (max 5d20) and d6s (specialty dice for damage).

It is a roll 2d20 and roll low system. If you hit your skill number (something like 7 to 14) or below, you get a success. If the die roll is below your focus number (something like 1 to 3), you gain another success for 2 successes possible for each d20 rolled, for a normal maximum of 4 successes on a skill check. The number of successes needed is up to the GM, but Average tasks take 1 success and Epic tasks take 5 successes. So, how do you get extra successes? You can spend Momentum points to get extra d20s or spend Fortune points for automatic 1's, but you max out at 5d20. Momentum points are gained through extra successes you didn't spend and either kept for yourself or thrown into a party pool for other PCs to use.

The GM has Doom points to influence the game play as most of the rules are in favor of the PCs.For example:
  • PCs always goes before the GM's NPCs - unless the GM spends a Doom point.
  • Ties in combat go to the Player - unless the GM spends a Doom point.
  • PC wants an extra d20? But there's no Momentum points around and doesn't want to spend a Fortune point? Give the GM a Doom point and roll an extra d20.
At the start, the GM gets 3 Doom points for each PC and each PC gets 3 Fortune points.  

Damage uses specialty dice. 1d6:
1 = 1 pt harm
2 = 2 pt harm
3 or 4 = 0 harm
5 or 6 = 1 pt harm + 1 Effect.
An example is the Barbarian PC has a Vicious weapon, so each Effect result = +1 pt harm. So, if he rolls a 1 and two 6s, that's 3 pts of harm + 2 Effects = 5 pts harm and since he had the Talent Blood on Steel, he can spend 1 Momentum to increase the Effect to +2 harm, so the total harm would become 7. (The weapon actually does 6 damage dice, but I simplified it in the example to 3 dice).

Each 5 harm = 1 wound, 5 wounds and a PC is dead. NPCs can take 1 wound or more before dropping, depending on whether they're a mook or not.

So, the game was crunchy and flexible enough for various tactics. Also during play, one player wanted to have the ship tilted towards the bad guys and he wanted to roll a barrel towards them. He paid a Fortune point to change the tilt of the ship just as he pushed the barrel. Very epic.

After 1-1/2 hours, the PCs were still on the boat fighting pirates. I took a look at the scenario The Pit of Kutallu, The players were still on the first scene of multiple scenes, so I suspect they won't finish the scenario after 4 hrs of play.

What I liked about the system is that it codifies what the GM can do on the story level with Doom points and it also allows PCs to influence the scene with Fortune points. Since the world of Conan is about Barbarians and Thieves and Sorcery, I found the combat oriented system appropriate. There's enough crunch in the combat to make it varied and interesting and there's enough rules to allow a player to acrobatically leap past armed slavers to rescue a girl.

Momentum follows the ebb and flow of action in a scene and Doom allows the GM to add tension and complicate a scene.

There's much to like in the system. Hopefully, this carries through to the Star Trek Adventures system.

Wednesday, June 14, 2017

Occult Book Dealers of Arkham - for Monophobia's Vengence from Beyond


I ran the three one-on-one Call of Cthulhu (CoC 6th) scenarios Monophobia from unboundbook.org. The three (free) scenarios are excellent and hard to survive, but challenging for an experienced player of CoC.

In one scenario, "Vengeance from Beyond," the Investigator is sent to various occult book dealers and it is left to the GM to invent them. I didn't want to have just a number of standard book dealers, so I decided to make up contacts with more of a Lovecraftian flavor to them.

Here is the list I gave to an Investigator (plus their phone numbers):

Rare book dealers of the occult:
John Cranshaw
Mathilda Mathers
Bishop Telling
Headly Markus
Harry Topus

Some of these people would only meet after being reassured that the inquiry is legit such as having a recommendation from a customer in good standing.

Below are their in-depth descriptions:

John Cranshaw: He doesn't have a store front, but will meet prospective customers only in a public place at a set time. He offers to meet the Investigator in Arkham Central Park at a bench near a specific statue at noon. At the last stroke of noon, ringing from a nearby watch tower, he will mysteriously appear (when the Investigator has looked away or blinked) and will speak to the investigator. Afterwards, he will also mysteriously disappear.

Mathilda Mathers: She doesn't have a store front either. She is a practitioner of the arts. And will meet the Investigator at the Arkham Cemetary at midnight, at an unused part of the cemetery, near a statue. The Investigator will find Mathilda performing a ceremony with candles and a protective circle. In my game, I made her a White Witch. She was renewing a ward against Ghouls.

Bishop Telling: He is the proprietor of Telling Books, an odd basement level bookshop beneath a tannery and butcher shop. The smells are terrible and the liquids that slosh in the gutters questionable. A dirty window provides the only dim illumination in the shop. He has strange customers including cultists interested in his arcane tomes. During the Investigator's visit, there were two strangely swaddled gentlemen browsing the shelves. One will eventually purchase a copy of "The Handbook for The Esoteric Order of Dagon." His fingers, slightly webbed, can be noticed as he drops gold coins on the counter. Bishop wraps the book in plain butcher paper and ties it with twine.

Headly Markus: He runs a salvage operation and sells things found or abandoned at sea. His massive warehouse, on the riverside docks, contains crates and other odd objects under tarps. Various panes of glass are missing from the upper windows and various birds inhabit the rafters. The tarps keep the pigeon and seagull droppings from damaging his already water damaged goods. Dockside activity is noisy and it makes Headly shout in order to be heard.

Harry Topus: He runs Topus Mortuary. His customers are the relatives of people who have run afoul of or summoned dangerous creatures. He handles the remains of people who have been horribly mangled and does a decent job of makeup and stitching. He also handles the liquidation of various occult artifacts and books left behind by the dearly departed who have suddenly left this plane of existence and whose relatives have no wish to deal with said occult items.